I upgraded to version 2 and it’s better, just as simple. One added feature is it will cut out the background or make a mask, depending on whether you add a mask or not. An refining mask is good too. You need to get used to the “magic brush”. You can turn it on or off.
Lightroom/Camera Raw: A Revolutionary New Masking Technology
Thanks Marc – I looked at the Photoshop masking demo http: They are all aimed more at selecting objects, e. U-Points are aimed at selecting specific colors, luminosities, and textures. As implemented by Nik, they either work great, or you switch to plan B. I’d like it to be: They either work great, or you refine them until they do. Don’t get me wrong – I can easily see Adobe tapping into their existing masking experience, and Photoshop code-base – this is why I think they could do such a good job.
Its just that the masking technology as is, misses the mark for Lightroom purposes, IMO. I mean, one idea: Maybe an A-path, instead of a U-point. And the path density represents the force of the effect, whilst path width indicates the geographic scope of the effect in u-point parlance: This would solve one of the problems with U-points: Sometimes a big point is too big, but bunches of small points make “waves”.
And another problem with U-points sorry, I told myself I wasn’t going to go here is they transcend the other selection mechanisms, meaning you can’t use the eraser to erase parts, or marquees to scribe a boundary around Anyway, I assume if Adobe invented something similar from scratch, it wouldn’t violate Nik’s patent. One facet of my present vision in a nutshell – an A-path: User specifies geographic extent, and tolerances for the things that determine inclusion vs.
Example Use case: Drop an A-path in the sky, then specify the range of colors and luminosity to be affected. Drop an “anti” A-path on the car, and specify a different luminosity range. Voila, you can now adjust the sky and leave the car alone estimated time: This is impossible to do right now in Lightroom, because the auto-masking associated with the brush would not be adequate to get just the sky, and the HSL sliders would include the car since it has the same blue hue – only the luminosity differs.
A comparison of Topaz Remask 3, onOne Mask Pro, and Vertus Fluid Mask 3 photoshop plugins in masking out a tree from the sky in a photo. The Fluid Mask Plug-in is a product of Vertus which is one of the leading Finally, Topaz Remask winds up the list of the top 6 photo editing. I have had my eye on vertus fluid mask 3 for a while now, but two other I have just had a quick look at Topaz Remask Dan, and will add it to my list of trial.
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Thanks Marc – I looked at the Photoshop masking demo http: They are all aimed more at selecting objects, e. U-Points are aimed at selecting specific colors, luminosities, and textures. As implemented by Nik, they either work great, or you switch to plan B. I’d like it to be:
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Top 5 Photoshop Plug-ins For Photo Background Removal by digi5studios in Clipping Path 30 May Every good photographer and editor knows that the quality of photo retouching services is only as good as the software used. In order to ensure that your final product is something worth the time and effort, you will have to invest in photo editing software packages as well as plug-ins designed to make your work easier. Clipping paths and photo background removal , in particular, are sensitive and you would need to invest in a great background remover.
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The program Vertus Fluid Mask apparently does a very good and fast job, had of good ones available – including Topaz ReMask and OnOne’s Perfect Effects. I recently purchased Topaz Lab’s masking tool for a commercial project, and found it to be very effective and easy to use. I forget what the name. Topaz Clarity • Topaz ReMask • Topaz B&W Effects Photo • Vertus Fluid Mask Build • HDRsoft.