A-1, B-1, C0 G 3 to B3 The information overlay shown below is also helpful for identifying the mute and preset keyswitches. Regardless of which preset or field is in use, they all have the same options, outlined below. This icon will be displayed. The adjustable volume function can be disabled within individual fields by clicking the MOD wheel icon so that it changes to this graphic depicted.
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A-1, B-1, C0 G 3 to B3 The information overlay shown below is also helpful for identifying the mute and preset keyswitches. Regardless of which preset or field is in use, they all have the same options, outlined below.
This icon will be displayed. The adjustable volume function can be disabled within individual fields by clicking the MOD wheel icon so that it changes to this graphic depicted. This allows greater expression as you can keep the volume of one or more fields constant whilst changing others with the MOD wheel. Regardless of the time signature of your composition, most phrases will be completely suitable.
This is generally the best speed setting. However, if your project has a tempo change mid-phrase, you may find that an alternative speed setting may be more useful.
Also, when you are doing gradual tempo changes across a large range, it might be a good idea to opt for one of the fixed values instead of ITM. There is just one limitation with speed adjustments in Largo: This can be remedied by using another instance of Largo on a new track. Purging Largo features intelligent purging. Click the icon to purge the samples from memory. This will apply to all fields of the current preset.
If a sample is being used in another preset it will not be purged. Use this function to free up system RAM. For example, you could load 3 sets of high strings and choose completely different patterns for each. The only limitation to this is that if you duplicate an identical set and pattern and variation in one instance of Largo, the MOD wheel volume and speed controls will not operate independently. Randomize Score View The phrases in Largo are represented by graphics instead of actual notations.
However, clicking on the score icon shown here will access the original notation. This will open a large Score View, where you can view the currently selected phrase in a notated form. Woodwinds are depicted here. Clicking on the key signature graphics at the top of the window will change the displayed score key. Click the MA or mi icons to display either the major or minor variations of the phrase, where available. One or more MIDI tracks will be created in you DAW which correlate with the number of staves shown in the score view for that particular phrase.
You can then assign your own virtual instruments to these tracks and edit the MIDI data in the normal way. Drag MIDI is useful for several things and gives you ultimate flexibility over the notation of the phrases within Largo. For example, for doubling instruments, transposing or more complex editing. Please note that the MIDI is derived from the original score that the musicians performed, not from the performance itself. Therefore the MIDI will not reflect the nuances of play, and you will have to adjust it manually to get a perfect match with the played performance when doubling it with external instruments.
From here you can control volume, panning, crossfade times, sample offset, microphone placement, global tuning and Harmonic Shift. In each field, drag the black overlay lines up and down to adjust the overall volume of that field. Tuning Click the TUNING legend at the bottom of the options interface to display the tuning setting for the instrument shown here with the Strings instrument.
Choose from either standard pitch Hz or an alternative concert pitch – Hz. Some live orchestras may be tuned to these alternative pitches so this function makes it easy to match the samples in Largo to live recordings. Panning Click the PAN legend at the bottom of the options interface to display the panning controls shown here with the Brass instrument.
Sample Crossfade Click the X-FADE legend at the bottom of the options interface to display the crossfade controls shown here with the Strings instrument. This control will help to smooth out or tighten up transitions when used carefully.
Microphone Mixing Click the MICS legend at the bottom of the options interface to display the microphone mixing controls shown here with the Woodwinds instrument. It is possible to use just one microphone position or mix between two different positions. These different positions can be selected by clicking on the microphone position name. Mixing is controlled by dragging the slider within the triangles.
The crossfade operates in such a way that the central position will play both microphone positions at full volume. Microphone mixing options are global and apply to the entire instance of Largo including all phrases and fields.
Note that activating multiple microphone sections puts additional strain on CPU usage. These patches function in exactly the same way as the full versions but do not have microphone-mixing options. Instead, the samples have been pre-mixed from the four recorded positions.
Sample Offset This function enables you to change the sample start point of a field. Click the OFFSET legend at the bottom of the options interface to display the offset controls shown here with the Woodwinds instrument. Each mark on the slider represents a 16th note, so the maximum and minimum values are one beat forwards and backwards relative to the original first beat of the phrase. Note that when you double or halve the tempo of a phrase, the offset value will stay relative to the host tempo, so relative to the phrase content tempo these values will change.
You can use the sample offset function subtly, for very minor adjustments, to tighten up the timing of phrases relative to one another. You can also use the function to make more dramatic timing changes by offsetting one or more fields by entire beats, resulting in more complex patterns including polyrhythms and syncopation. Harmonic Shift The Harmonic Shift function allows the user to play phrases simultaneously in different, but related, keys.
You should note that Harmonic Shift only designates an interval, relative to C. By default we have chosen a relative major and minor for each interval, which we deem most useful. Experiment with different phrases and settings to create interesting and surprising textures and note combinations.
Playing Largo The basic method of playing Largo is to play three-note triads in the keyrange C1 to G2. The chord recognition system will automatically detect inversions and will choose a major or minor phrase based on the MIDI chord played. This enables easy switching to new chords without any gap in the playback.
Chords can also be held by using a sustain pedal. Alternatively, a chord can be sustained by holding any key down in the playable area, thus allowing changes between chords Release Samples Largo features release samples for all phrases.
These give a realistic and appropriate release note or reverb tail when keys are released. The release samples become especially important if you choose to truncate the playback of a phrase, where a realistic end note will be played.
This function is controlled by velocity sensitive keyswitch D6. This is controlled by velocity sensitive keyswitch E6. When switched on, the scripting within Largo will read the position of the bar in your host DAW and retain playback of the phrases in line with that bar. For example, if Bar Sync is turned on and you trigger a phrase on the second beat of a bar, the sample will play from its second beat too.
Note that Bar Sync can only be used in Phrase Continue mode. If Phrase Retrigger is engaged instead, Bar Sync will automatically switch off. When Phrase Continue mode is switched on again, Bar Sync will return to whichever setting was being used previously, either on or off.
Bar Sync Reset There may be rare occasions when you wish to change meter in a project and the Bar Sync function behaves rather oddly and becomes out of sync with the bars in your DAW. This happens because some DAWs, including Logic Pro X for instance, will send an incorrect bar start to Kontakt in these cases, depending on which bar the meter change actually is. Sequencing Largo As explained previously, there are a number of different ways to play Largo and change chords.
You can either use the sustain pedal to hold chords, use voice leading on one or more notes or simply release and retrigger. These different modes become important when it comes to using Largo in your chosen DAW. If you are just triggering one simple chord and then releasing, it is normally best to quantise the start and end of the MIDI chords.
We would also advise leaving the Phase Follow and Bar Sync keyswitches set to off. Keeping the release samples turned on will provide a clean end hit or release tail to the chord.
Quantised blocks of MIDI chords as shown is the simplest way to create a chord change. However, this often does not give satisfactory transitions with strings, woods and brass as the phrases have longer attack times. This method is most successful with choir and percussion. You may find that turning the release samples off also helps with the transitions.
Taking these attack times into consideration, it is often best to quantise the very first chord, whilst ensuring that Phrase Follow is set to on. Subsequent chords can be triggered slightly before the beat so that the attack portions of a new chord are maintained.
However, it is difficult the program blocks of chords in this manner as the end of one chord has to perfectly line up with the start of the next. This, in itself, is a challenge in most DAWs. This is by far the best way to get great chord transitions with Largo. Offset the MIDI notes of every chord except the first, slightly before the beat in the same way as described above to capture the new attack phase.
Use the Phrase Follow so that the new chord plays the new phrase where the old one left off. Adjusting these elements in conjunction with the individual field crossfade times will give smooth transitions. For a demonstration of these techniques check out the Largo videos online at www.
Use the purge function within each field to remove the samples from memory Deactivate the release samples this will halve the number of voices used Use only one microphone position and set the other to NONE Choose the Largo Lite patches instead of the full versions.
Tens of thousands of samples have been edited by hand to create seamless loops. There are a number of ways to smooth out these transitions and different methods are more appropriate for different instruments and phrases. Ensure that Phrase Continue is switched on MIDI key D6 Play with the sustain pedal held down or use voice leading to sustain one chord until the new one plays.
Adjust your MIDI notes so that they finish approximately half a beat before the new chord starts. Turn on the release samples MIDI note F6 and the gap will be filled by a release sample, avoiding the attack portion of the current chord. Offset your MIDI notes by a few milliseconds.
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