And you can probably agree that there is an endless amount of things still to learn. Learning tons of small tricks in the DAW can be the difference between being just another bedroom producer and being one of the best. That’s why we decided to gather 20 of our favorite Ableton tips and tricks for you to level up your production with! If you prefer watching videos, we also made an Ableton tutorial video with these 20 tips that you can watch: Tip 1:
Ableton Live Suite 10.1.1 – Record music using digital instruments, loops, and more
And you can probably agree that there is an endless amount of things still to learn. Learning tons of small tricks in the DAW can be the difference between being just another bedroom producer and being one of the best. That’s why we decided to gather 20 of our favorite Ableton tips and tricks for you to level up your production with!
If you prefer watching videos, we also made an Ableton tutorial video with these 20 tips that you can watch: Tip 1: Well what if I told you there was a powerful work around inside of Ableton. Simply click and drag zones to move them around, and click and drag their edges to stretch or shrink them.
Next, click and drag the light blue bars above in opposite directions, these are the zone volume faders. These volume fade bars allow you to set different volume amounts across the ruler. Therefore, in this situation here, we are clearly fading between the volume of the dry signal and the wet signal based off of what side we are on. Next, map the fader to a macro. One ultimate time saver is not having to manually fade every single time.
Warp Multiple Tracks At Once Believe it or not in Ableton you actually have the ability to warp multiple tracks at once. This is incredibly useful if say for example you are editing some recorded drums, and each drum was recorded on a different mic. Literally the only prerequisites to make this work is making sure all the desired tracks are selected, warp modes are on, and they are the EXACT same length.
Even the slightest difference will make it impossible. If you want to watch a full Ableton tutorial on this, check out this one we made: Tip 4: Hot-Swapping Audio Too often have I gotten quite far in a track, only to want to switch out all my perfectly placed kicks. Many of us like to write our drums in audio, and this would mean manually going through and switching out each one…. And boom, a hot-swap button to switch out any file used in your song.
If you want to learn more about hot-swapping audio, check out this Ableton tutorial we made: Tip 5: Grouping Groups Ableton can in-fact group groups… sort of… At least the audio routing part, just not the visual. Create yourself a new audio track, this is going to be where all the audio from our groups is routed.
Now simply highlight the desired amount of groups and send their audio to the track. Tip 6: Inserting And Deleting Time Trying to insert or delete entire sections of songs can be an absolute mess.
Having to cut and paste sections risks messing up important automation if done incorrectly. Thankfully Ableton has a way of inserting or deleting time that just pushes or pulls your song apart without any issues whatsoever.
Doing this will move all the music around it to compensate, either pulling sections together or pushing them apart. Download our free Ableton Starter Pack and get level up your production today! Distorting With Compressors Sometimes my things to do in music production is use tools in ways they weren’t meant.
One of my favorites of these is turning compressors into their own distortion units. By overworking compressors in terms of their time values and ratios they will actually start to distort.
To really over do it, pull back the attack and release as quick as possible, crank the threshold down, and max out your ratio. And voila! Now this may be over the top, but from here you can dial back the settings to get the desired tone. Tip 8: Pseudo Side-Chain At first glance Ableton is lacking a very common and important production tool, tremolo.
There seems to be no obvious way to automate the volume of something, at least it may not seem that way. Here you can harness the hidden powers of auto-pan. Auto-pan typically works by dipping the volume in one channel, while the other rises in volume.
This back and forth volume switch gives the sensation of something panning around our head. When this tool becomes even more powerful however, is when you set the phase to 0.
Now what will be happening is each ear will now be dipping in volume in sync. This now gives us not only the ability to tremolo, but also the most powerful technique of all, pseudo-sidechain. We can create a pumping effect without any sort of signal necessary. Tip 9: Copy Value To Siblings Probably the biggest thing I ever wasted time on in music as a new producer was trying to give every single instrument in a rack the same settings. Having to input the settings across dozens of instruments was just absurd.
If only I had known about copying values to siblings. Tip One arp sequence can span many octaves and many bars. Scrolling left and right, then up and down takes time, while this techniques is WAY quicker.
You are no longer locked to a solid to solid lines, you can scroll as desired, quick and easy Check out this Ableton tutorial that will show you a cool trick you can do to make your MIDI more interesting: The big issue with this however, is what if you forget what note you removed?
In Ableton you can actually deactivate musical ideas. Your clip or piece of MIDI will actually become transparent, stopping it from creating any sound, but leaving it as a placeholder.
Simply click something in Ableton and press 0 to deactivate it, then 0 again when you want to reactivate it.
When writing a new melody or chord progression in a song, copy and paste an old one and deactivate it so you can see the relationship between your old idea and your new one. This can actually be made ourselves with a lot more control and interesting distinction between the layers. With your piece of audio selected, duplicate the track twice. Now with a desired warp mode, pitch the two separate layers different in just small cent values, detuning them in slightly different directions.
Detuned a bit up: Offset their times by very small amounts as well if desired. Now the fun thing is, you can do this as many times as you want, each with different pitches and times. Not only that however, but you can start to affect each layer separately. Take note of your favorite combinations of pitch, time, and effect differences to use later for your own unique stereo effect. Drum Choking One thing that really pulls me into my favorite music productions is when the producer makes an effort for their drums or melodies to emulate how a human would normally play that piece of music.
For example, some of my favorite drum mixes are panned and played like a real drum kit. On a drum kit, if you are playing a hi-hat, opening and closing it would obviously stop the previous. In your drum rack, open up the chain list first: Next open up the in and out routing tab: Just another way of adding depth and character to your work. For another way to make your drum loops tighter, check out this Ableton tutorial: By default it will always be playing a C3, but that can be changed.
You can even have bass sounds all triggered in a drum rack. Imagine seeing all your basses MIDI inside one drum rack MIDI clip, this would an introduce a whole new workflow into writing music, keeping things fresh and unique. There could be an entire Ableton tutorial on this technique, so make sure you experiment with it a lot Tip Internal Drum Rack Sends Drum racks are equipped with another amazing hidden feature, internal sends.
Now you can send specific drums to their own internal returns. This is great for adding big reverb splashes on just your snare layers without washing everything else out for example.
Velocity Mapping Typically in Ableton the velocity function will increase or lower the volume of a sound to give it a more human feel. Inside of Sampler under the MIDI tab, there is actually a velocity drop down menu where you can select tons of things to be mapped to the velocity.
Small pitch or time offsets for example would make your sound far more human. Not only that, but you can get incredibly creative, and set the velocity to a sample selector for example. Now you could potentially jump through samples with just velocity. Imagine different hi-hats for different velocity sections. The power of this is truly under harnessed and an absolute beast when used correctly.
If you want to learn another way to humanize your drums, check out this Ableton tutorial: Quick Warping Having to warp clips inside of their own personal clip view can often be disorienting. Drop your desire clip where you want it, and make sure it is starting exactly where you need it to. Now with warp mode off, play with the transposition and see what happens. Notice the sample stretch or shorten? Think of it like when you slow or speed up a record player, the music will rise or fall in pitch.
What you can do is actually use the semi tone and cent pitch values to quickly line up the last beat of your sound exactly where it needs to be. And voila, quick and easy warping. The main fallback however is actually knowing what MIDI is coming out, or even worse, being restricted to the output of these effects.
Live is software for creating musical ideas, turning them into finished songs, and even taking them onto the stage. Download Ableton Live for free and start making music now. NMac Ked | Ableton Live lets you create and record music on your Mac. Use digital Ableton Live is an all-in-one production suite. KeygenMusicTorrent.
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