We show you some tips to streamline your mixing in Live. Decluttering Let’s start by cleaning up your Live Set. Delete any unused tracks for which you have no plans, including Return tracks.
We show you some tips to streamline your mixing in Live. Decluttering Let’s start by cleaning up your Live Set. Delete any unused tracks for which you have no plans, including Return tracks. To save CPU, consider removing or at least deactivating any devices on unused tracks that you do keep. This will save you from accidentally deactivating an Arrangement view track with an errant key command or button press.
Organising Your Tracks A good way to organise the remaining tracks is to assign the same or similar colours to similar tracks: Groups also make it easier to solo or mute all tracks within the Group, as well as to visually tidy up large Sets by folding Groups. To do that, unfold the Drum Rack track in Session view, select the chains you want to keep together and then choose Extract Chains from Live’s Create menu or from any selected chain’s context menu.
Extracting the chains will also extract MIDI data routed to those chains from any clips on the track. You can now edit the clips individually, apply different effects to each Drum Rack and mix them separately.
Here are the steps to split the Drum Rack to two tracks, add different Drum Buss processing to each, edit their clips and export an audio stem for the final mix. Unfold the Drum Rack, select the chains you want to extract — congas, cowbells and timbale in this case — and extract them. Edit the MIDI clips on the two tracks as needed. Add Live’s Drum Buss effect to each of the Drum Rack tracks and audition different settings or presets.
Freeze each of the tracks in the Group. You can edit the resulting tracks and Groups before mastering and rendering the song. Start by Freezing, Flattening and Consolidating each of the Set’s tracks. Consolidating doesn’t affect Groups; only the tracks they hold will be Consolidated.
Mixer automation is not captured when creating stems in this way, leaving you free to edit your mix. When you want to create stems from your submix Groups as opposed to their individual tracks, export the Group as in the previous example. One last tip: One window will show Arrangement view, and the other Session view with its mixer.
Reasons to do this include saving CPU; allowing audio manipulations such as reversing, slicing and time-stretching; cleaning up your arrangement; and sharing your work with collaborators. When mixing, it simplifies the process by eliminating instrument and effects plug-ins. It also lets you go back to the mix when some of those plug-ins are no longer available.
Keep in mind that Flattening eliminates the possibility of un-Freezing unless you undo your way back step-by-step to the un-Frozen track. Consolidation renders audio clip fades and crossfades. You’re undoubtedly familiar with Export from rendering your Live Sets, but the Rendered Track menu at the top of the Export dialogue lets you also export individual tracks or all the tracks that are selected in your Set or all tracks in your Set.
And, Exporting captures all mixer automation and effects processing.
Colouring and Labelling The Mixdown in Ableton Live. Here’s the The next 25 tips are about mixing in general, this includes creative and technical aspects. Check out a roundup of some of our latest Splice tips using Ableton Live for mixing and mastering. I have been having a hard time making my tracks as loud as the pros but I understand how EQ works and I use the whole stereo field but still it.
Mixing With Ableton Live
Liam O’rsquo Mullane gets you introduced in this Ableton Live mixing and workflow tutorial. So discrete, in fact, that you appreciate them only when used in practice. We therefore did the legwork for you and had a good look around, bringing you some highlights here. The Device View Selector window is a fixed size and the Clip Overview window at the bottom of the screen can be re-sized only vertically, but this is perfectly fine to work in. Something that has always been a little restricting in previous Live incarnations, however, is the Browser.
SOUND ON SOUND
I have been having a hard time making my tracks as loud as the pros but I understand how EQ works and I use the whole stereo field but still it seems like even with high quality EQ and Compression Neutron I’m still just not as loud as the pro quality stuff. Could this be my layering? My volume?
HOWTO: Mixing With Ableton Live
Interested in learning more about audio-mixing techniques? We’re debuting a new mentor-driven course featuring instruction from today’s. Three new Ableton Live mixing tips for you from instructor Will Marshall. Learn about the importance of making tracks mono, bus compression. searching deep within the interwebs for an Ableton Live mastering tutorial because you want to learn Blog, Mixing & Mastering .. or if you have any other tips, please leave a comment below and tell me what you thought!.